Welcome to Myanmar-gems
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Mardi 2 décembre 2008 2 02 /12 /Déc /2008 18:47


Par Christina
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Samedi 9 août 2008 6 09 /08 /Août /2008 13:57
SPINEL

* What better-known gem is spinel often mistaken for?

Spinel is frequently confused with ruby, but it’s a gem that can stand on its own merits. Even though its color can equal ruby’s red, it has long been undervalued. Spinel has a long history of use, and there are many famous large spinels existence. Long believed to be red corundum, these stones grace royal jewels from England and Russia. Known as “Balas ruby,” spinel was not recognized as a separate gem spices until the 1800s.


* Which spinel varieties are the most valuable


Some spinel colors are more rare and valuable than others. In general, red spinel is the most desirable, followed by fine cobalt spinel (intense blue), then by vibrant hot pink and vivid orange stones. Violet and bluish purple to purple, or lavender, stones tend to be less attractive, and less in demand than other, rarer colors.


* Spinel-Gem of Princes, Kings, and Emperors


In ancient times, the mined of Asia yielded exceptionally large spinel crystals, which were known as Balas rubies. Some of these fine stones became the treasured property of kings and emperors, and passed through the hands of many as spoil of war. One of the most famous examples is the so-called “Black Prince’s of ruby.” This historic crimson-red gem, set in England’s Imperial State Crown, is displayed in the Tower of London. Smoothly polished and roughly octagonal in shape, it was probably mined in the mountains of Afghanistan. It first appeared in the historical records of fourteenth-century Spain, and it was owned by a succession of Moorish and Spain Kings before Edward, Prince of Wales---the “Black Prince”--- received the stone in 1367 as payment for a battle victory. Since then, many other English monarchs---including hennery VIII---have cherished the gem. It’s outlasted them all, surviving fires, attempted thefts, and World War II bombing raids, to become---with the Koh-ni-Noor diamond---one of the centerpieces of England’s most Crown Jewels. Another large spinels in the Crown Jewels, the “Timur ruby,” weighs over 350 cts. It, too, has a checkered history. Several Persian inscriptions carved into the gem testify to its age.
Par Christina - Publié dans : Spinel
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Samedi 29 mars 2008 6 29 /03 /Mars /2008 10:06
March 2008

Top quality local Peridot in any sizes and cuts for wholesale and retail market.
Par Christina
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Samedi 29 mars 2008 6 29 /03 /Mars /2008 09:35
Color change sapphire

                    Color-change sapphires are corundum’s chameleons---stones that change colors under different lighting. Under daylight-equivalent (fluorescent) light, the typical color-change sapphire’s basic hue ranges from blue to violet. Under incandescent light, it ranges from violetish purple to strongly reddish purple. Some ‘Rare’ color change sapphire sapphires change in green in daylight to reddish brown in incandescent light. When gem experts judge color-change sapphires, they describe the color change as weak, moderate, or strong. The strength of the stone’s color change is the important quality factor affecting its value, follow by bodycolor. The trace element ‘vanadium’ causes color change in sapphire. Where corundum forms, there’s rarely enough vanadium present to create color change, so these sapphire are very 'Rare'.

Star corundum (rubies & sapphires)

            Star rubies and star sapphire belong to the phenomenal category because of the star-like rays that intersect across the stone’s faces. The star effect is called asterism. It is caused by reflections from tiny, needle-like inclusions that are oriented in several specific directions. Stars are usually made up of 2, 3 or 6 intersecting bands, resulting in 4, 6, or 12 rays. The most common stars have 6 rays, and 12 rayed stars are quite ‘Rare’. When corundum rough contains enough silk to display a star, the cutter or manufacture has to decide whether to fashion the stone as a cabochon and show the star, or heat-treat it to dissolve the and then facet the gem. The decision is an economic one. Faceted corundum typically sells for more per carat then star corundum fashioned as a cabochon. For this reason, most transparent rubies and sapphires on the market are heat-treated to remove any existing silk and to improve bodycolor. However, if the stone’s bodycolor before heat treatment is exceptional, and good-quality asterism is visible, the sapphire might be left untreated and sold as a ‘star’.

 Black star sapphire

          In black star sapphires, hematite inclusions cause asterism. The sapphire’s bodycolor is actually yellow, green or blue, but the inclusions make it appear dark brown or black.

Treatment

          Manufactures can use surface diffusion to create asterism in corundum cabochon. They pack the gems in a mixture of iron and titanium oxides, and then heat them for long periods of time. Slow, controlled cooling. The result is that titanium and oxygen combine into a shallow layer of rutile (needle-like inclusions). The treatment is rarely done, and the star that results is shallow and can be removed with polishing.


Christina Win
Par Christina
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Samedi 16 février 2008 6 16 /02 /Fév /2008 08:14

PAST AND PRESENT RUBY SOURCES OF MYANMAR

 

 

 

Mogok and Mai Hsu, Myanmar

 

 

 

Historically, Mogok, Myanmar, is the most important ruby source. The deposits there have produced rubies since the fifteenth century. The finest jewelry houses have used mogok rubies to create some of their most stunning pieces. These stones can possess the characteristics that most people treasure in a ruby-----vibrant red bodycolor, softened by the presence of light-scattering inclusions, and glowing with red fluorescence. Of course, not all stones from Mogok fit this description. Still, everyone wants a "Burmese" ruby.

 

The Mogok mining area is located about 60 mi. (100 km) northwest of Mandalay by air, and 300mi. (500 km) from Yangon. The area is very mountainous, much of it above 7,000 ft. (2,150m). The corundum deposits covers approximately 70 sq. mi. (175.km). Ruby is far more abundant at Mogok than sapphire. Some figures suggest that 90 percent of the yield is ruby, with only 10 percent of sapphire.

 

The rubies at Mogok are marble-hosted, and they're believed to have formed from a combination of contact and regional metamorphism. The rubies are recovered directly from the marble as well as from nearby river gravels. High annual rainfall causes rapid erosion and transport of the alluvial sediment. The rivers drain the area, carrying and concentrating the eroded materials across the valley floors. Most of the gemstones are mined from these alluvial sediments.

 

Mining activities are often suspended during the mid-May to mid-October rainy season. During the rest of the year, miners use various mechanized and primitive recovery processes. Although mining in Mogok is more efficient and organized than ever before, only small numbers of stones are recovered there today. The exact number is difficult to estimate since smuggling has long been a factor in Myanmar.  

 

Often considered to yield the finest color available, Mogok actually produces gems from pink sapphire to ruby. They can range from light, pale pinkish red through intense pinkish red, vibrant red, and very dark purplish red with medium to medium-dark tone and vivid saturation. They generally display strong to very strong fluorescence. Clarity characteristics typical to Mogok rubies are dense clouds of rutile silk and minute particles of other materials.

 

Today the majority of Mogok rubies are heat-treated for color enhancement. Because high temperatures dissolve the rutile silk that can actually improve the stone's appearance, a small percentage of the finest quality are left unheated. These stones, when accompanied by certificates that confirm the origin and the natural state, can command incredibly high prices.      

 

Myanmar has been the primary ruby source for centuries. But in the late 1960s, a coup upset the country's stability and the Mogok mines' production. Mines in Thailand began to supply bulk of rubies. In the early 1990s, as Thai supplies and those in nearby Cambodia became exhausted, Mai hsu, Myanmar gained status as an important source.

 

Mai hsu has supplied the world with the vast majority of its commercial-quality rubies since 1991. The Mai hsu mines are situated in Myanmar Shan State, which borders Thailand, Laos, and china, and is located 150 mi. (250 km) southeast of Mogok. Like the Mogok rubies, those at Mai hsu originated in marble deposits. Miners use mostly traditional small-scale methods to recover the rubies from deposits. Mai hsu crystals are rarely water-worn, which indicates that they weren't transported very far from their primary sources.

 

Mai shu ruby rough generally has a deeply saturated red color, but very few stones are a uniform red before treatment. Untreated rough typically has a dark core surround by a red rim. Heat treatment converts the core to red, making the red color uniform throughout the stone.

 

After treatment, rubies range from light pinkish to medium and dark red, purplish red and pinkish purple. Typical clarity characteristic that are believed to be a result of the treatment process include translucent zones of dense white clouds, finger print- like inclusions, and whitish hexagonal zoning related to the treatment of the core. Some treated stones might have glassy- appearing veils and feathers, which gives them the appearance of flux-grown synthetic rubies. The least expensive grades are often so included that they are translucent.

 

Heating might also produce highly reflective whitish zones in some stones. Further heat treatment can't remove this type of inclusions, so these rubies are unsuitable for polishing and have to be rejected.

 

Production from Myanmar is unstable. Civil unrest, political instability, and mining disaster have caused periodic decreases in production. Although Myanmar remains the world's major ruby source, it's difficult to predict the further when the nation's politics are so unpredictable.      


Christina

Par Christina
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Vendredi 30 novembre 2007 5 30 /11 /Nov /2007 07:54
II. BALANCING QUALITY FACTORS
 
 
You have already understood to grade each quality factor separately. You can now judge the stone’s color, for example, and determine its effect on beauty in comparison to similar stones. The same is true of clarity and cut.
 
‘‘Quality is only one factor that affects price’’
 
Up to this point, however, you have learned each factors were equal but by now you probably know how rare it is to see two stones of the same variety that differ in only color or clarity or cut. Normally, when we compare the quality of the stones to determine relative value-in buying we must deal with differences in two or tree factors. Suddenly the effect of any one factor can no longer be isolated from effects of other two.
 
How do you add them all up? Color and clarity and cutting are a little like apples and oranges and bananas- you can’t just total them to get a definitive quality grade. It is a very sophisticated problem, since we know how dramatically each factor can affect the others. Clarity for example, can dictate cutting variations that hide inclusions. This may produce a less attractive cut but yield an overall improvement in the gem’s clarity appearance. Which is more significant in overall quality here-clarity or cut?
 
Good cutting can bring out best color while poor cutting can reduce color quality. Some inclusions can reduce color quality,  unintended color zoning                            (uneven color) can lower the clarity grade. Differences in the rarity and availability of different qualities of rough (uncut gemstone) in particular sizes can also modify the effects of the basic quality factors. So, as you can see, the impact of any one factor is not necessarily the same on every stone.
 
 
COLOR
 
With non phenomenal colored stone, color is the overriding factor. Certain colors are rare in some varieties, and hence more valuable than in others, and in any variety, truly dynamic color is rare; if the color is good, most people are willing to tolerate greater variations from the ‘‘ideal’’ in either of the other two quality factors.
 
‘‘Truly dynamic color is rare in any variety.’’
 
Conversely, with a lower color grade, our tolerance for the same variations in the other factors is considerably lower.
 
 
 
 
 
CLARITY
 
The effect of clarity varies, too. In certain verities, clarity may sometimes have a greater impact on the rank than small nuances of color. In emerald, for example, unincluded (clear) stones of any size with excellent color are rare, so a finished stone with a high clarity grade is really unusual. Add to this widespread differences in opinion about the effect of ‘‘invisible’’ versus eye-visible clarity characteristics on overall rank of a stone, and the situation becomes even more complicated.
 
 
CUT
 
Weight retention is a primary consideration in cutting expensive materials. A medium cut grade on a fine-colored ruby with a high clarity grade will lower its rank only slightly. With less expensive materials, however, cut has a much greater impact on rank, since getting large pieces of good rough is usually not a problem. Some lower quality stones of these materials almost ‘‘fall off the chart’’ due to the cut grade. Since amethyst rough, for example, is readily available in large sizes, cutters have no reason to compromise cutting quality in save weight. With amethyst, then, a medium cut grade has a greater impact on the overall quality of the stone, and lowers the rank.
 
 
CARAT WEIGHT
 
The Combined- Grade Analysis Charts do not show the effect of differences in weight. They cover specific weight ranges, which we will discuss in the next section. Weight is fairly easy to compare, because you can measure it directly with loose stones.
 

Par Christina
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Mardi 6 novembre 2007 2 06 /11 /Nov /2007 07:18

Grading Vs. Pricing

 

Recently, quite a number of people have asked me for the buying prices for gems mostly from Myanmar. I could only tell you the recent market prices in proximity since each and every gem has different appearances as in cut, color, clarity, weight and overall quality they can be vary in value as well. I hope this information will help you to understand the basic strategies of gem overall quality vs. value, and price.

 

Putting it all together

 

Comparing the overall quality of two gems of the same variety is easy, provided they differ in only one quality factor-just color or clarity (natural gem inclusions), or cut. But in comparison it is trickier if two or especially, if all three factors differ. In such cases (which means with most stones) you need a way to correlate and quantify the combined effects of all these factors on the overall quality of a gem.

 

Obviously, there is a relationship between quality and value. The larger the difference between the quality ranks of any two stones of the same variety, the greater the price difference is likely to be. But price as we shall see, depends on several factors-of which quality is only one.

 

You know that nature, the basic source of supply, creates only very small amounts of certain gem materials, making them rarer than certain quality. You probably know that the varying locations of gemstone deposits and local political situations have an effect on mining costs and thus on the ultimate price of stones reaching the market. And the gem market itself introduces variables that influence price independently of the quality of the goods involved. We will also take a good look at the many variables that work together to help set market value. By the time you have learnt those factors, you will have a very good idea of what sets the price of a gem.

 

Par Christina
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Mardi 23 octobre 2007 2 23 /10 /Oct /2007 12:39
I just want to show you this beauty of a very special rock from Mogok.
In this business, you see and learn every single day... blogmami-002.jpg
blogmami-004.jpg
Par Christina
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Mardi 16 octobre 2007 2 16 /10 /Oct /2007 13:56
My shop will be opening on the 3rd of November 2007


Loupe Colored Stone and Jewelry
Shop No 75, Nawarut Building,
Bogyoke Market, Bogyoke Road,
Pabedan Township, Yangon.

Tel : +951 720-636

Collection of Gold and 925 Silver Jewelry with all natural colored stones.

Christina
Par Christina
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Mardi 16 octobre 2007 2 16 /10 /Oct /2007 13:48

The red of ruby has been described in countless imaginative ways from
centuries such as "pomegranate like" or "ruby red".
Blood is another symbol of ruby's color. Descriptions have compared
ruby to the "blood from the right ventricle" or the first two drops of
blood from a freshly killed pigeon. Historically, the term "pigeon
blood" described the color of rubies with a soft, glowing, red
fluorescence.
Fanciful descriptions like these are useful for evoking images, but
they can be subject to misinterpretation when you're trying to
describe a ruby's actual color.
Although trade terms can be deceiving, it's important to know what to
expect when you hear them used to describe a ruby's color. The
following are general descriptions of what you might see when you hear
certain trade terms,
The source name Burmese originally referred to rubies from the Mogok
regions in what is now Myanmar. The term "Burmese color" has been used
to indicate the finest-quality stones regardless of origin. The finest
"Burmese" rubies possess a red to slightly purplish red hue, with
vivid saturation and medium-dark tone. They often display a glowing
red fluorescence and have minute inclusions that give the color a
characteristic softness. Rubies with these are often described as
"pigeon's blood" rubies.
I personally haven't seen the real color of the pigeon's blood,
perhaps it's a bit like the chicken's blood? So, I just go for the
ruby's color that catches my eyes and that matches my skin tone. It
can't go wrong with following your instinct, right! Of course I mean
only regarding on your color/ taste preference. A reminder, make sure
your merchandise has been disclosed before purchasing.

Par Christina
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